Skip Navigation

Special Series


The College Art Association Monographs began publication in 1944 and concluded in 1999. The series eventually issued 56 volumes with a variety of university presses and scholarly societies, including the Archaeological Institute of America, New York University Press, The Pennsylvania State University Press, and the University of Washington Press. The series published scholars who are among the most influential art historians of our time, and covers the history of art from Classical Antiquity into the early twentieth century, with most concentration in the Western tradition. In partnership with CAA, HEB now offers a range of titles from this distinguished series.

The titles in this series are designated by their series logo.  

Author Title Date
Anderson, Jeffrey C. The New York Cruciform Lectionary 1992
Begley, Wayne E. Visnu's Flaming Wheel: The Iconography of the Sudarsana-cakra 1974
Berger, Robert W. Versailles: The Chateau of Louis XIV 1985
Berger, Robert W. Antoine Le Pautre 1969
Bier, Lionel Sarvistan: A Study in Early Iranian Architecture 1986
Bolon, Carol R. Forms of the Goddess Lajja Gauri in Indian Art 1992
Brinkerhoff, Dericksen M. A Collection of Sculpture in Classical and Early Christian Antioch 1970
Brown, Blanche R. Ptolemaic Paintings and Mosaics and the Alexandrian Style 1957
Brown, Blanche R. Anticlassicism in Greek Sculpture of the Fourth Century B.C. 1973
Brown, Clifford M. Tapestries for the Courts of Federico II, Ercole, and Ferrante Gonzaga, 1522-63 1996
Brown, Marilyn Degas and the Business of Art: A Cotton Office in New Orleans 1994
Buettner, Brigitte Boccaccio's Des cleres et nobles femmes: Systems of Signification in an Illuminated Manuscript 1997
Cahn, Walter The Romanesque Wooden Doors of Auvergne 1974
Cambitoglou, Alexander and Trendall, A. D. Apulian Red-Figured Vase-Painters of the Plain Style 1961
Clarke, John R. Roman Black-and-White Figural Mosaics 1979
D'Ancona, Mirella Levi The Iconography of the Immaculate Conception in the Middle Ages and Early Renaissance 1957
Davidson, Bernice F. Raphael's Bible: A Study of the Vatican Logge 1985
Eitner, Lorenz The Flabellum of Tournus 1944
Fehl, Philipp The Classical Monument: Reflections on the Connection between Morality and Art in Greek and Roman Sculpture 1971
Folda, Jaroslav The Nazareth Capitals and the Crusader Shrine of the Annunciation 1986
Gerstel, Sharon E. J. Beholding the Sacred Mysteries: Programs of the Byzantine Sanctuary 1999
Gisolfi, Diana and Sinding-Larsen, Staale The Rule, the Bible, and the Council: The Library of the Benedictine Abbey at Praglia 1988
Hinkle, William M. The Portal of the Saints at Reims Cathedral: A Study in Mediaeval Iconography 1965
Hitchcock, Henry-Russell Netherlandish Scrolled Gables of the Sixteenth and Early Seventeenth Centuries 1978
Holladay, Joan A. Illuminating the Epic: The Kassel Willehalm Codex and the Landgraves of Hesse in the Early Fourteenth Century 1997
Jenkins, Marianna The State Portrait 1947
Johnson, Franklin P. The Farwell Collection 1953
Kantor, Helene J. The Aegean and the Orient in the Second Millennium B.C. 1947
Kirsch, Edith W. Five Illuminated Manuscripts of Giangaleazzo Visconti 1991
Kitao, Timothy K. Circle and Oval in the Square of Saint Peter's: Design and Meaning in Bernini's Plan 1974
Lavin, Irving Bernini and the Crossing of Saint Peter's 1968
Lavin, Irving Gianlorenzo Bernini: New Aspects of His Art and Thought 1985
Lawrence, Marion The Sarcophagi of Ravenna 1945
Lehmann, Phyllis Williams Roman Wall Paintings from Boscoreale in the Metropolitan Museum of Art 1953
Lillich, Meredith P. Rainbow Like an Emerald: Stained Glass in Lorraine in the Thirteenth and Early Fourteenth Centuries 1991
Maguire, Henry Earth and Ocean: the Terrestrial World in Early Byzantine Art 1987
Meiss, Millard La Vie de Nostre Benoit Sauveur Ihesucrist and La Saincte Vie de Nostre Dame 1977
Moir, Alfred Caravaggio and His Copyists 1977
Moskowitz, Anita F. Nicola Pisanoís Arca di San Domenico and Its Legacy 1994
Nelson, Robert S. The Iconography of Preface and Miniature in the Byzantine Gospel Book 1980
O'Gorman, James The Architecture of the Monastic Library in Italy, 1300-1600 1972
Posner, Kathleen W. Leonardo and Central Italian Art, 1515–1550 1974
Roebuck, Carl Ionian Trade and Colonization 1959
Roskill, Mark W. Dolces Aretino and Venetian Art Theory of the Cinquecento 1968
Ryberg, Inez S. Panel Reliefs of Marcus Aurelius 1967
Saalman, Howard The Church of Santa Trinità in Florence 1966
Saalman, Howard The Bigallo: The Oratory and Residence of the Compagnia del Bigallo e della Misericordia in Florence 1969
Schapiro, Meyer The Parma Ildefonsus: A Romanesque Illuminated Manuscript From Cluny and Related Works 1964
Schulz, Anne M. Niccolò di Giovanni Fiorentino and Venetian Sculpture of the Early Renaissance 1978
Scobie, Alex Hitler's State Architecture: The Impact of Classical Antiquity 1990
Sherman, Claire R. The Portraits of Charles V of France 1969
Soucek, Priscilla P. Content and Context of the Visual Arts in the Islamic World 1988
Spear, Athena T. Brancusi's Birds 1969
Spector, Jack J. The Murals of Eugene Delacroix at Saint-Sulpice 1967
Tronzo, William The Via Latina Catacomb: Imitation and Discontinuity in Fourth-Century Roman Painting 1986
Verheyen, Egon The Paintings in the Studiolo of Isabella d'Este at Mantua 1971

rev. 11/29/2016